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04/14/10 |
All Recorders, by Size/Price | Contact |
05/03/2010 |
Upcoming Workshop Venues | |
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Lazar's Early Music Bill Lazar 425 N. Whisman Rd., Ste. 200 Mountain View, CA 94043 (650) 938-5367 (866) 511-2981
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Optimized Crumhorns |
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These crumhorns are commercially made by a well-known maker, and further improved by David Hogan Smith. He seals the bore (they should never need oiling), tunes them (mean-tone tuning) and makes custom dry-play cane reeds (no soaking needed). The resulting instruments play easily, with a full, rich, clear, strong sound. The consort is well balanced.
These are beautifully playing instruments close to the sound and construction quality of handmade crumhorns.
In addition, I plan on keeping the S A T B GtB sizes in stock, so there will be no long wait to get an instrument(s).
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Oahu, Hawaii, 2004, by Bill Lazar |
| CRUMHORNS | Prices | Fingering Charts | |
| DHS-R01 |
Soprano Double upper keys, custom cane dry-play double reed, with windcap, mean-tone tuning, sealed maple |
$911 |
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| DHS-R02 |
Alto in F Double upper keys, custom cane dry-play double reed, with windcap, mean-tone tuning, sealed maple. |
$982 |
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| DHS-R02A |
Alto in G Without keys, custom cane dry-play double reed, with windcap, mean-tone tuning, sealed maple. |
$982 |
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| DHS-R03 |
Tenor Double upper keys, custom cane dry-play double reed, with windcap, mean-tone tuning, sealed maple. |
$1266 |
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| DHS-R04 |
Bass Double upper keys, lower single key, custom cane dry-play double reed, with windcap, mean-tone tuning, sealed maple. |
$1577 |
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| DHS-R05 |
Great Bass in C Double upper keys, lower single key, custom cane dry-play double reed, with windcap, mean-tone tuning, sealed maple. |
$2338 |
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If you don't need these professional quality instruments, then see my 'unoptimized' Moeck Crumhorns.
| Crumhorn Music from the King's Trumpets & Shawms Editions | ||||
| 307 | Michele Pesenti | Dal lecto me levava | ATTB | $8.00 |
| Ludwig Senfl | S'io non venni | ATTB | ||
| 315 | Thomas Stoltzer | Melodia sexti toni | SATTB | $8.00 |
| Melodia primi toni | SATTB | |||
| 327 | Anonymous | Je ne dis mot | SSATTB | $8.00 |
| F. Corteccia | Guardane almo pastore | SATTTB | ||
| 333 | Josquin Desprez | *La Spagna | ATTBB | $8.00 |
| 334 | Thomas Stoltzer | O admirabile commercium | SATTB | $8.00 |
| 344 | Anthony Holborne | Four dances | SSATB | $8.00 |
| 348 | Jobst vom Brandt | Es wurb ein's Königs Sohn | SATTB | $8.00 |
| Mir ist ein feins brauns Maidelein | ATTTB | |||
| 375 | Jacob Obrecht | *Waer sij di han | ATTB | $8.00 |
| *Ic weinsche alle scoene vrauwen | ATTB | |||
| 377 | Jacob Obrecht | *Ic draghe de mutse clutse | SATB | $8.00 |
| *Als al de weerelt | SATB | |||
| 383 | Costanzo Festa | Piu che mai vagh' et bella | ATTB | $8.00 |
| Come lieta si mostra | ATTB | |||
| 379 | F. Corteccia | Ingredere | SSAATTBB | $8.00 |
| 380 | Ludovico Viadana | *La Padovana | SATB SATB | $9.00 |
| 381 | Ludovico Viadana | *La Bergamasca | SATB SATB | $9.00 |
| 372 | Thomas Stoltzer | Erzürne dich nicht | SATTTBB | $17.00 |
| 373 | Thomas Stoltzer | Verbum caro factum est | SATTB | $17.00 |
| Crumhorn Collections (score & parts, unless otherwise indicated) | ||||
| 502 | Volume 1 | German lieder - 10 pieces | ATTB | $17.00 |
| 503 | Volume 2 | German lieder - 10 pieces | ATTB | $17.00 |
| 504 | Volume 3 | German lieder - 11 pieces | ATTB | $17.00 |
| 505 | Volume 4 | German lieder - 10 pieces | 5-part | $17.00 |
| 506 | Volume 5 | German lieder - 10 pieces | ATTB | $17.00 |
| 507 | Set of partbooks for Vols. 1, 2, and 3 (no scores) | ATTB | $34.00 | |
| 508 | Volume 6 | Spanish music - 10 pieces | ATTB | $17.00 |
| 509 | Volume 7 | Italian music - 7 pieces | ATTB | $17.00 |
| 510 | Volume 8 | French music - 8 pieces | ATTB | $17.00 |
| 511 | Volume 9 | 12 pieces | SATB | $17.00 |
| 512 | Volume 10 | 10 pieces | 6-part | $23.00 |
| 513 | Volume 11 | 7 pieces | 5-part | $17.00 |
| 514 | Volume 12 | German music: 13 pieces for 5 crumhorns w/great bass crumhorn | 5-part | $23.00 |
| 518 | Volume 16 | Italian music - 8 pieces | ATTB | $17.00 |
| 520 | Volume 18 | 11 pieces | ATTB | $17.00 |
| 522 | Volume 20 | 9 pieces for 4 crumhorns w/great bass crumhorn | 4-part | $17.00 |
| 523 | Volume 21 | 12 pieces for 6 crumhorns w/great bass crumhorn | 6-part | $23.00 |
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* – includes parts in both early and modern notation |
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Assemble your crumhorn by placing the reed and staple into the top of the instrument up to the pencil line marked on the staple. On the bass crumhorn the reed must be placed onto the staple. Carefully place the wind cap over the reed. The reed is very fragile, so take care that it does not touch the inside of the cap. The bore of the instrument has been treated with a penetrating oil and does not need additional oiling. After the instrument has been assembled, it should be taken apart only for reed adjustments, never for storage. There are two reasons for this. The safest storage place for the reed is inside the cap, and the slow drying of the reed inside the cap after playing minimizes warpage. Find a case which will hold the assembled instrument, such as an inexpensive gun case. The reed is meant to be played dry and should never be soaked in water before playing. Doing so may cause the blades of the reed to warp into an undesirable shape. Simply warm up the instrument for a minute or so by playing or blowing air through it. The best way to keep the crumhorn in good playing condition is to use it regularly. If the instrument has been stored for a month or more, the warm-up time may be longer. After a playing session, allow the assembled instrument to dry overnight and then store it in its case. If an excessive amount of water has collected in the bore, you may wish to disassemble the instrument and blow the water out. Then reassemble carefully for storage. New reeds should be played at least a few minutes every day for the first month in order to break them in. Occasionally reeds may need to be adjusted. Always warm up the instrument by playing on it for a few minutes before attempting to adjust the reed. If the reed becomes too closed, the instrument will play sharp, sound too soft, and require a very light breath pressure. On the other hand, if the reed becomes too open, the instrument will become too loud, play flat, and be hard to blow. Once you have a sense of how the instrument normally plays, you will notice if the reed has changed and needs adjusting. To open the reed, gently squeeze the sides of the top wire (Figure 1) with a pair of pliers or your fingers. A slight adjustment will translate to a large change in playing characteristics, so proceed slowly until you have a feel for it. To close the reed, gently squeeze the top wire from front to back (Figure 2).
As you inspect the reed tip opening, it should appear fairly closed. These adjustments change the pitch level of the instrument, so check with a tuner to make sure that it plays in tune. If the instrument plays out of tune, open or close the reed to reach the proper pitch level rather than moving the staple in or out. With minimal care, crumhorn reeds will last indefinitely. The main reason reeds need replacing is damage caused by replacing or removing the wind cap. If you need a replacement reed or have questions, feel free to contact me directly. David Hogan Smith 1720 - 19th Avenue San Francisco, CA 94122 (415) 665-2083 shawm1@earthlink.net |
Ordering Information
Top of Page
Email, call or write me to order or discuss your needs. You can't order from my web site--I like to discuss your order with you first.
Many people have
told me how much they enjoy my bringing my ‘store’ of instruments to
workshops so that they can try many different ones over the course of a
few days. This makes their
decision-making process much easier.
Obviously, when
ordering by mail, I can’t send you my whole ‘store’ of instruments
to try, but I do try to come as close as is reasonably possible.
All instruments can be ordered on approval.
I am happy to send out two or more instruments for you to
compare. For instance, I
could send out two or three rosewood altos, or rosewood, pearwood,
grenadilla and boxwood
altos for you to sample. Then
you can play them (please, no more than 15 minutes per day, just as
if you were starting the breaking-in process), let your friends try or
listen to them, and let a teacher try them.
This
I want you to be
satisfied with your instrument, and feel under no obligation to buy it
if you don’t like it. A
normal time for deciding is approximately one week.
I, of course, expect any returned instruments to be in like-new condition
(see below). Whether you decide
to buy an instrument or not, all I ask is that you pay for shipping costs
both ways.
Once you have decided on a purchase, I will bill you.
Email, call or write me to order or discuss your needs. You can't order from my web site--I like to discuss your order with you first.
I had an instrument returned that smelled of cigarette smoke. The customer did not smoke, but a visitor did. I haven't yet succeeded in removing the smell. I can't sell a smoky instrument, so I do not want to send instruments on approval to households where people are allowed to smoke. If a smoky-smelling (or mildew-smelling) instrument is returned to me, I will not accept it, and you will have bought it, since it is no longer in like-new condition. In my experience, hardly any recorder players smoke, so this should be a rare occurrence. So please, no smoke, mildew or lipstick, and brush your teeth before playing--all things you should do if the instrument were yours. I hope you understand this policy.
I don't give out customer contact information to other companies.
425 N. Whisman
Rd., Ste. 200 Mountain View,
CA 94043
(866) 511-2981 toll free
(Pacific Time Zone) (650) 938-5367 local/foreign/Skype
OPEN BY APPOINTMENT-Call--I'm here most of the
time, 6-7 days a week
To
order, email, phone or write me your request.
I don't give out customer contact information to
other companies.
I accept
personal checks, money
orders or cashiers checks.
I
accept Visa, MasterCard,
and Discover.
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CONTACT