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Bring the splendid sound of Baroque music into your own home. Recreated as a modern instrument, the most advanced harpsichord yet is here. |
During the resplendent days of the Baroque Period, the
harpsichord was the keyboard instrument that colored music with its
rich, distinctive tone.
Through the generations, it has continued to charm music lovers all over
the world. Now, you can easily enjoy its sophisticated sound and elegant
form in your own home.
While producing authentically exquisite centuries-old harpsichord sounds
and drawing inspiration from 21st century ingenuity, the Roland Classic
Series C-30 Digital Harpsichord uses digital technology to enhance
playability and expressiveness. Whether you are a virtuoso or a novice,
the C-30 makes it possible for you to spend as much quality time as you
want with the harpsichord.
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C-30 Classic includes
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Sound Samples
The warm, sustained sound of the French harpsichord The crisp sound of the Flemish harpsichord The sound of the fortepiano, a period instrument that was the forerunner fo the piano of today. This new harpsichord enables damper pedal effects and lets you vary the dynamics of each sound by key pressure. The sound of a lower flute 8-foot positive organ with wooden pipes. The sound of a positive organ with layered principal 8-foot and 4-foot metal pipes. The sound of hammers hitting the metal plates in the celesta. |
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The Roland Classic Series provides you with the opportunity to step back in time and become wrapped in the music of the ages |
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The simple and elegant styling suits modern interiors |
Taking up little space, the styling of the C-30 is modeled on the virginal, an ancient rectangular type of harpsichord. With an authentic wooden cabinet and a high quality mahogany finish, the traditional and simple styling will be right at home in a classic or modern interior. The period styling is enhanced by stained glass on the stand, and the decorative panel on the keyboard lid. From a range of optional alternatives, you can create the look you desire by customizing the stained glass and keyboard lid decoration.
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Sensitive keyboard response ensures an authentic harpsichord playing experience |
When played, the newly developed harpsichord keyboard of the C-30 actually feels as if plectra connected to the keys are plucking strings. Just as with an acoustic harpsichord, if you press with a delicately light touch, you get the same key movement that occurs before the plectrum plucks the string. By designing the keyboard with a long distance to the key pivots, better playability is assured because the touch on the key feels more or less uniform whether you press the key near the tip or further in. Just as on traditional harpsichords, the black keys have a distinctive tip shape with flat tops, and a matte finish to provide a comfortable feel. The amount of dip when you press a key, the sensation you get when the string is plucked, and the springy feel when you release the key are all as they should be on a harpsichord. Because such attention to detail has been given to the keyboard's touch, you can enjoy and experience harpsichord playing as it was centuries ago.
In the development of the C-30 keyboard and sound source,
Roland's engineers gave the highest priority to improving the way that
touch affects sound and musical expression. In particular, by
implementing the points described below, you can both subtly change the
sound depending on touch and let your playing sparkle with articulation
and nuance.
How hard you press the keys subtly affects the resulting sound. A heavy
touch produces a thick, strong sound, while a lighter touch brings out
brightness and beauty in the tone. Forceful pressure on a key also
changes the wooden-box sound of the jack rail being struck by the jack,
which holds the plectrum. The mechanics of pressing a piano key and
pressing a harpsichord are different, and the difference in touch is
reflected in the way the sound is produced. When playing multiple choirs
of strings with the harpsichord, the timing of the plucking of each
string is slightly offset (staggered) to prevent the need for extremely
heavy pressure.
This staggering is reproduced, so that pressing the keys in subtly
different ways allows delicately nuanced changes in the way sounds are
produced. The slight lag that occurs after the jack is raised is also
reproduced. This enables a more cohesive sound during trill and legato
playing. When the key is released, a distinctive noise is made when the
plectrum scrapes the string on its return. You can immediately release
the key or, before release, you can pause and wait for the string to
stop vibrating. This decision affects the character of the noise that is
produced. Paying attention to even key release timing raises expression
to whole new level.
All these fine details of the harpsichord's action are important
features that have been realized to enable you to play with authentic
technique and expressive articulation. The C-30 is a particularly
effective means of developing a subtle and accurate feel for the way the
harpsichord is played.
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Rich sound that lets you experience ancient tones. |
When playing the C-30 you can easily switch between the built-in French and Flemish types of harpsichord. Both of these have four dispositions--- 8' I (back eight), 8' II (front eight), 4' (upper octave), and lute (buff mute) --- and each disposition has its own dedicated selection button. You can play with a single disposition or layer more than one. The harpsichord in the C-30 was sampled from a French Blanchet instrument. The charm of its gentle, fluent sound is particularly apparent in solo playing. The other instrument, a fine Ruckers Flemish harpsichord, is already familiar from the C-80. However, the onboard memory has been expanded so you get a set of new high-quality sounds that are responsive to playing technique. The new sounds provide more vivid reality with richness in the mid-range and a high-end that is crisp and penetrating, with enough distinctiveness even for ensemble playing. Also, as well as sound sets for two types of small positive organs, a fortepiano is also built in. You can play the Baroque music of Handel and Bach on harpsichord and organ, and then change to fortepiano for the early Romantic music of Mozart and Beethoven. On it's five-octave FF-f''' range, you can play anything written for the harpsichord, except for the Scarlatti sonatas and one Haydn piece that go up to g'''. In your own home, you can experience playing this historic music with the authentic sound of different period instruments. On top of all this, the C-30 makes one more groundbreaking type of beautiful harpsichord sound available...
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While the time-honored sound of the harpsichord is enchanting just as it is, the sound dynamics of traditional instruments cannot be varied by strength of key pressure. Neither do they have a damper pedal to control resonance. Legato and other techniques have not been possible until now. Inside the C-30, digital technology has enabled the harpsichord to be played with different sound dynamics. Answering the calls of a vast number of harpsichord lovers, digital technology has ushered in the possibility of a brand new kind of harpsichord music that just can't be played on acoustic instruments.
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Acoustic harpsichords are delicate instruments. They are even susceptible to going out of tune with a change of temperature or humidity. The digital C-30 doesn't need tuning. And you can simply switch the pitch between Baroque (415 Hz) and Versailles (392 Hz), or select 440 Hz. If, for ensemble playing, you need to match the C-30 to other instruments, fine pitch adjustments can be made between 415 Hz and 466 Hz. You can easily take the C-30 with you to group rehearsals and live performances. Even if the temperature and humidity vary, you can be sure that the pitch will remain accurate because it's digital. Adjustment or voicing of plectra or other time-consuming maintenance is a thing of the past. Now, you can just turn on and play. This special feature of the C-30 is bound to make you, and your audience, very happy.
- You can transpose your playing without changing the position at which you play the keys. For instance, if you are playing a song in a difficult key that contains numerous sharps or flats, you can transpose the pitch of the keyboard and play the piece in an easier key. This is also useful if a piece has a range that goes too high or too low for an accompanying instrument or voice. You can transpose up by as many as 5 half steps, or down by as many as 6 half steps.
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- As well as equal temperament, you can select Werckmeister, Kirnberger, Vallotti, and meantone tuning schemes. Using one button, it's easy to change the tuning scheme according to the piece you are playing.
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The ability to freely adjust the volume is one of the compelling advantages of the C-30. When playing ensemble music, you can even achieve a sound weighty enough to balance the power of the modern flute and recorder, or the violin and other loud instruments. When the volume is increased, the authentic harpsichord sound is still as captivating. Without extra help, the onboard speakers are capable projecting this magnificent sound to every corner of even a mid-sized concert hall. On the other hand, at home you can plug in headphones and play or practice as much as you like at any time.
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The compact C-30 can be made even more portable by removing the legs and stand. You can easily transport the unit (55 lbs.) and stand (29 lbs.) in a standard-size car. Getting the instrument to ensemble rehearsals or concerts is easy. If sight lines to your consort members or audience is blocked by the upright open lid, it can be easily and quickly taken off by removing 3 screws from the middle hinge.
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--Use the reverb knob to add authentic resonance as if you were playing in a hall, church, or salon.
--Use the tone knob if you want to adjust the brightness of the sound.
--You can use the standard damper pedal to switch between two sound sets. When playing you can switch between the sounds of two different instruments or, as with a dual-manual harpsichord, you can change the string combination phrase by phrase.
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Dynamic harpsichord opens a new dimension of musical expression |
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No need for tuning. Ready to play anytime, anywhere. |
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Tranposing the keyboard |
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Use a single button to cycle between five different tuning methods/temperament. |
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Adjustable volume lets the harpsichord hold its own in ensemble playing with modern instruments. |
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Portability |
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Uniquely digital capabilities |



